Approaching the Table of the Lord
We recently received a reminder from our prioress to plan for our annual personal long retreat by the end of this calendar year. We have been much distracted for most of this year and such plans put aside. As I considered possibilities for a retreat of ten days outside the monastery I realized how much daily Eucharist meant to me and how I would be missing that privilege at all the locations which I considered.
These
considerations brought me to meditation about my experience of Eucharist and
how it has been affected by our experience in this monastery. I feel the warm Divine
Embrace most keenly at the table of God’s love. And I have been feeling it even
more keenly here at Carmel where both the architecture of the chapel and the
choreography of liturgy seem designed to concentrate attention at the heart of
the Eucharistic celebration.
The chapel,
formerly very dark and hard at the edges, was recently reconfigured within the
existing wall and roof structure to assume it the shape of an eye on the
horizontal axis of the space. The current design places the entrance to the
space at the middle of the curving bottom. The Eucharist is reserved in a
silver cube-like tabernacle atop a wooden pillar opposite the entrance as if on
the curve of the eye’s upper lid.
The shape is echoed most dramatically by an eye-shaped flying dropped ceiling. This pure white eye above contains a dome illuminated by indirect lighting and most dramatically by an ocular skylight at its apex. This opening to the sky brings a variety of lighting effects into the space as the sun travels across the sky through each day and each season. This ocular mandala illuminates the altar below, the entire eye-shape being mirrored in the tile pattern of the lustrous chapel floor.
When one makes a visit to the chapel during the day lighting is minimal. The beautiful setting behind the tabernacle immediately draws the eye and attention to the reserved Sacrament. But when we gather for Mass the lighting is magnified, promoting a natural shift of eye and body toward the center of attention, the altar of the sacred banquet. In my own case, I am blessed to be assigned to a seat only twelve feet away from the altar at an angle which allows for a clear view of the vessels, the hands of the priest, the elements he consecrates and the expression on his face as he does so.
The shape is echoed most dramatically by an eye-shaped flying dropped ceiling. This pure white eye above contains a dome illuminated by indirect lighting and most dramatically by an ocular skylight at its apex. This opening to the sky brings a variety of lighting effects into the space as the sun travels across the sky through each day and each season. This ocular mandala illuminates the altar below, the entire eye-shape being mirrored in the tile pattern of the lustrous chapel floor.
The altar of
Eucharist directly beneath the dome is perfectly round; a thick beige marble
slab resting upon a matching platform of hardwood supported by four stout
rectangular legs cross braced near the floor. Simple pewter candle stands seem
anchored to holy ground in guard at the altar. Regardless of the location the
viewer in any seat in the chapel seems to be directly facing the altar. The
presider’s chair is the first seat of the first row of an in-the-round
arrangement. He proclaims the Word from an ambo placed between the entrance and
the altar.
When one makes a visit to the chapel during the day lighting is minimal. The beautiful setting behind the tabernacle immediately draws the eye and attention to the reserved Sacrament. But when we gather for Mass the lighting is magnified, promoting a natural shift of eye and body toward the center of attention, the altar of the sacred banquet. In my own case, I am blessed to be assigned to a seat only twelve feet away from the altar at an angle which allows for a clear view of the vessels, the hands of the priest, the elements he consecrates and the expression on his face as he does so.
This
arrangement alone fosters a unique intimacy in the experience of Eucharist. The
priest so easily becomes Jesus himself beckoning, sharing, gifting; his
movements imploring us to enter his life. The moment of remembering, the
anamnesis of the Mass seems in this setting to be a progressive flowing into
the Paschal Mystery. The flow of this shared moment of intimacy is extended by
the manner in which all who celebrate here may partake of the Body and Blood of
Christ made present on the altar by the very act of our
remembering.
It has become the practice of this community to receive the Bread of Eucharist from the hands of the priest by approaching in two lines beginning from the rear of the chapel. Afterward each communicant is free to return to
their place for post-communion meditation or to proceed around the altar and face the chalices of the Wine of Eucharist waiting there. The altar is approached with evident but simple reverence, each person picking up a chalice and slowly savoring the Precious Blood of Jesus, cleansing the rim with a purificator and returning it to the corporal for the next communicant.
This manner of approaching the altar has provided for me a very sacred moment of intimacy; a very physical way of participating in Jesus’ last supper which we call into memory and into the present moment at every Eucharist. I come to the altar as if it is the table on which Jesus himself prepared this last gift, blessed it and invited all to partake of it; the bread and wine transformed by his power and by the community gathered together to listen to His Word. The altar table has been so carefully prepared; linens laundered white and crisply pressed, bearing a glowing chalice of precious metal containing rich wine. How many tables have I prepared with all the best in my own home? I remember the loving care I poured into banquet occasions so that they would be gift to the guest. In knowing that desire within myself I feel that same desire in the gift of Jesus’ table. My thirsty heart is watered by the sight of the lavish banquet prepared for me at this altar bathed in the light of God’s loving gaze. A heart thus watered blossoms into gratitude as I step to the altar and see all that awaits me there, all of it seeming to glow in the light that bathes what is received and those who receive it. I stand in the place where He stood; where He issued the invitation; where He made a place for me at His table. I raise the cup and drink at the banquet table of God’s love eager again to be transformed into what has been received. I am drawn into the anamnesis of the Mass, the act of remembering, in such a way that what is being remembered becomes present in our space, in our time.
It has become the practice of this community to receive the Bread of Eucharist from the hands of the priest by approaching in two lines beginning from the rear of the chapel. Afterward each communicant is free to return to
their place for post-communion meditation or to proceed around the altar and face the chalices of the Wine of Eucharist waiting there. The altar is approached with evident but simple reverence, each person picking up a chalice and slowly savoring the Precious Blood of Jesus, cleansing the rim with a purificator and returning it to the corporal for the next communicant.
Some remark
that this way of receiving Communion at Mass takes too much time. Some exacting
liturgist may say it does not conform to the prescribed norms. Certainly it
would not be practical in the parish setting. But here, where there are rarely more
than 40 people present, it serves to provide time for a few contemplative
moments at the heart of the Mass.
This manner of approaching the altar has provided for me a very sacred moment of intimacy; a very physical way of participating in Jesus’ last supper which we call into memory and into the present moment at every Eucharist. I come to the altar as if it is the table on which Jesus himself prepared this last gift, blessed it and invited all to partake of it; the bread and wine transformed by his power and by the community gathered together to listen to His Word. The altar table has been so carefully prepared; linens laundered white and crisply pressed, bearing a glowing chalice of precious metal containing rich wine. How many tables have I prepared with all the best in my own home? I remember the loving care I poured into banquet occasions so that they would be gift to the guest. In knowing that desire within myself I feel that same desire in the gift of Jesus’ table. My thirsty heart is watered by the sight of the lavish banquet prepared for me at this altar bathed in the light of God’s loving gaze. A heart thus watered blossoms into gratitude as I step to the altar and see all that awaits me there, all of it seeming to glow in the light that bathes what is received and those who receive it. I stand in the place where He stood; where He issued the invitation; where He made a place for me at His table. I raise the cup and drink at the banquet table of God’s love eager again to be transformed into what has been received. I am drawn into the anamnesis of the Mass, the act of remembering, in such a way that what is being remembered becomes present in our space, in our time.
2 comments:
Bravo Sr. Hildegard!
In such an eloquent way you've captured what makes praying the Eucharist together in your chapel so special! It is certainly the high point of my week and I (and I think all your visitors) come away so refreshed. Of course, the Carmelites and now the Redemportistines add a quality to the celebration that is better experienced than described!
Thanks for this post and for your excellent blog!
A cup of rich wine? Do you believe in transbustantiation? It's no longer wine!
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