Showing posts with label Matthew Pleva. Show all posts
Showing posts with label Matthew Pleva. Show all posts

Sunday, September 08, 2013

Another Boomer Challenge

Invitation envelope seal


Invitation cover - Senate House, Kingston - Wedding location

All art the creation of Matthew Pleva
 
So, as it turns out we Baby Boomers are also, on occasion, referred to as "the sandwich generation"; the generation living well beyond middle age with the generation before them and their own 'begats' simultaneously calling for attention. The lives of many of my friends are bracketed by elderly parents on one side and on the other by young adult children who, even if independent and making their way through the world, require attention, if only to keep those wonderful relationships going.
 
Sometimes it is all a bit much and the tugs from opposite poles a bit uncomfortable. I continue to ride out a demanding time as I look after my 89 year old mother who is in an assisted living facility. But in my case, at this time the tug from the other end is just to share in the joy of lives moving on. Next month my middle son Matthew, will wed Heidi with whom he has lived for about five years. They've resisted the idea of legal marriage for so long and admit that they have finally surrendered, will put aside their resistance and take the plunge.
 

 
Thus the wedding invitation pictured here. And this is another feature of the sandwich generation; adjustment to an entirely different way of doing things so different that one can wonder, "Didn't I raise this child?" Well I raised one creative child who found a beautiful kindred soul. They love each other and I love them.
 
Upon full opening - one hears the military theme music from "South Park",
a take-off of the march from "Les Mis"
(Note that the Senate House was burned by the British in 1776)

 
Below are the theme related invitation inserts.





Friday, May 21, 2010

Memories of Strawberry Picking

The new header above is an sign of the season - strawberry picking season will arrive in a few weeks. My son Matthew, whose art has appeared elsewhere on this blog, was inspired to create a memory piece for a magazine featuring local food producers and restaurants. Beneath the piece (what appears above is a detail) he wrote, "When picking strawberries as a child at The Greig Farm in Red Hook, New York, I was always worried that they would wiegh me on the way out and realize that I ate more that I picked." Matt probably also remembers how after picking strawberries on our hands and knees we would walk over to the pea patch to bend our backs for luscious edible pod sugar peas. I never had it in my heart to cook them. Eating them raw was such a pleasure. Two great fruits of the earth coming into season at the same time.
http://web.mac.com/mattpleva/Site/Home.html

Monday, December 28, 2009

Elder Parenting Revisited













A couple of weeks ago I posted a reflection - "Elder Parenting in All Directions". In reference to parenting adult children, I had a good bit of advice about keeping ones mouth shut, not giving advice until very specifically requested to do so and being supportive. Posts like this about the illustration art of my middle son, Matthew, are just that kind of effort.

If considered side by side the two photos above show Matthew's first effort at window dressing. Normally his work is very small - dioramas in boxes  and images of historic buildings only 5 x 4 inches in size. However, after a recent show, he was approached by the owners of the BlueCashew Kitchen Pharmacy to dress up the window of their shop at its new Rhinebeck, NY location.

Photographing the window was quite a challenge because of reflections in the glass. Jonathan, my oldest son was most successful with the pictures above. Below is a slide show of shots I took to focus on the details of this window diorama (4 x 7 feet approx.)  

Wednesday, November 18, 2009

More Art


When I Grow Up.....
by Matthew Pleva

At the end of this piece there's a link to a slide show of the most recent work of my son Matthew Pleva - my son the artist. Just click on the screen arrow. There's some music too, if you have your speakers on. I've shown some of Matt's work on this blog in the past. Just click on the word "art" in the side bar topics list to see more. He is a most inventive and talented guy. He gathered ideas for his current works buy asking friends to complete this sentence: When you were about 8 or 9 years old, how did you answer the question, "What do you want to be when you grow up?" The current show features pencils drawings (about 14"x7") that depict the answers.




To the right is the large theme piece (approx. 30"x15")which shows Matt at his drawing table doing what he wanted to be when he grew up - an artist. He would draw the space shuttle with all the plates outlined and all the riviets holding each one in place. Precise then, precise now.



The exhibit and the slides here also show a few of his dioramas - watch for the ones in tiny matchboxes and pocket watches! Pocket watch dioramas depict a train station and a ballerina. Match boxes depict King Arthur with the sword in the stone and Independence Hall, Philadelphia, PA.



There are also drawings of the historic buildings still in use at the intersection of John and Green Streets in uptown Kingston, NY.



All of these pieces are currently hanging at Keegan Ales, St. James St., Kingston, NY. Show will be up until November 30, 2009. Enjoy.

Friday, October 16, 2009

Some Family News


New Exhibit

"When I Grow Up..."

Precise Art of Matthew Pleva

Ocotber 3 - November 30, 2009

Keegan Ales
20 St. James St, Kingston, NY

Long time readers of this blog may remember past postings about the work of my son, Matthew Pleva, an artist specializing in tiny, detailed, and precise renderings of mythological and folk tales, historic buildings and events and a variety of other things that inspire his creativity. Some of these come in the form of minute diorama's mounted in wooden boxes as small as 3" x 4'. The drawing posted here is a detail of one of the pieces developed for the theme of the body of work on exhibit, "When I Grow Up...". Inspiration for these works came via postcards sent to him by friends and and others who were asked to write about how they answered the question, "What do you want to be when you grow up?" when they are eight to ten years old. Visit Matt's website at http://web.mac.com/MattPleva If you visit the site you will find that if you click on any image it will open up to a larger view of the piece. Enjoy.

Sunday, June 07, 2009

Honoring the Mighty Hudson

































Celebrating the

Quadricentennial

of the Discovery

of the

Hudson River

1609-2009

These days there are big doings up and down the beautiful Hudson River. Every town is celebrating the 400th anniversary of the arrival of Henry Hudson and his shipmates on the Half Moon to the mouth of the river bearing his name. Memories of my elementary school days in New York City and fourth grade study of local history merge with the stories of Henry Hudson sailing into the now famous harbor formed by the estuary of the tidal river. In turn his story melded into that of New Amsterdam and peg-legged Peter Stuyvesant. That early settlement was preceded by knots of fur traders way up river eager for beaver pelts which seemed to endlessly flow from the forests and streams of the indigenous people.

The banners shown here are one contribution to the festivities contributed by artists of the Kingston area, including my son, Matthew Pleva. His work is the black and white effort at the top. My contribution was to sew the canvas banners using our factory grade sewing machines.

Other artists include:

Jane Bloodgood-Abrams
Hendrik Dijk
Dennis Connors
Robert Sweeney
Cynthia Winiker
Lynn Woods
Steve Ladin
Erik Richards
Cristina Brusca
Susan Ross
Iya Battle

The banners were photographed at their first exhibition in the atrium of the Holiday Inn in uptown Kingston. After an appearance at the Senate House Museum for the Discovery Dinner on June 13th the plan is to apply a weatherproof coating so they can be hung on lamp posts on lower Broadway, in the Rondout section of Kingston which borders on Rondout Creek an inlet of the Hudson River.

Friday, September 21, 2007

St. Matthew - The Call of the Common Man






Here is Michaelangelo's impression of Matthew, the tax collector. He is on the run, his account book still in his hand. His full attention has been drawn elsewhere as his muscular body strains to respond to the call of Jesus, "Follow me." There is no doubt about him at all. The Gospel says simply, "...and he got up and followed." Presumably he led the way to his home where he entertained Jesus and his followers giving his new teacher another venue in which to verbally spar with the Pharisees who watched his every move. On this occasion Jesus would also model in their sight his ideal of compassionate service to the other.

Matthew has been about the crass business of the world and has done what that world expected. Jesus presents a compelling alternative. Today I pray for all of the Matthew's of today's world, all going about the business of living in this society, in this culture, with its own Pharisees leading the way. The good looking guy at the top is my own son Matthew. He's an artist. The rendering at the right, the original no more than four by six inches, is his pencil drawing of an historic site in Kingston, New York, the Old Dutch Church. Matthew makes a living setting precious gems in rings of gold and serving as an I.D. inspector/bouncer at a local bar popular with young people. My youngest son tends bar at the same establishment. All on the up and up and in the good graces of the local police. Both have great women in their lives for which I am very grateful. But the 'world' is ever present to them. It leads crassly, demands much, and often presents stumbling blocks each step of the way. Matthew's greatest talents are being subsumed by the need for necessities. Perhaps that is what Jesus saw in Matthew. There was more to Matthew than keeping the account books and doing the dirty work for Roman oppressors. The power and energy for good that Jesus may have recognized were attested to by Matthew's eager response.

I pray that my son Mathew and all the young Matthew's of this world remain open to that other voice, one that calls them to their finest natures, to fulfillment in serving the true self, in contributing to the well-being of society. I pray that the loss of faith in time honored institutions and traditions implied in the oft quoted, "Oh, I'm spiritual. I'm just not religious." has not rendered them deaf to the voice of God speaking out to them in their busy world.

Monday, July 02, 2007

When Mothers Become Contemplative Nuns - Part II

Pencil Drawing by Matthew Pleva
Original 2 x 3 inches

Early this spring, I asked for some feedback from visitors to this blog concerning what kept them coming and what was of interest to them. A number declared their curiosity about my vocation story. Part I of that story appeared in May '07. You can see it by going to the Archives in the sidebar.

Before marrying in 1967, I had lived every day of my life in the same house in which my mother was raised in Bensonhurst, Brooklyn, New York. My Sicilian grandfather, a U.S. Army veteran of World War I, visited Sicily in the early 1920s and returned to the States with a young bride and her eight-year old sister in tow. By 1931 he was a widower with two young children, jobless and just managing to hold on to his house and family in the midst of the Great Depression.

My father arrived in the United States at age seven with his parents and sister. They were escaping the dire post-World War I inflationary economic conditions in Germany. My mother says that my father's family did well during the depression in comparison to hers because my paternal grandfather brought master machinist skills with him and took on the job of superintendent in their Bronx apartment building to minimize the rent. Dad speaks of getting barrels of coal ash to the street each Saturday morning and washing the floors of long hallways. My mother has memories of food baskets left at the door, long lines waiting for shoes and caring for her little brother who never knew his mother.

How did these folks meet? My grandfather brought his seventeen-year old daughter to a party sponsored by the International Ladies Garments Workers Union and my father, newly minted member of the U.S. Air Corps, was there with a friend. At the end of the evening, he told his buddy, "I am going to marry that girl." They will celebrate their 64th wedding anniversary next month.

I grew up in a three generation culturally Italian household. This was the family to which my father returned as a veteran of World War II with service in the Pacific. He'd been a freshman in City College in 1939. He became a draftsman and finished his education at night graduating with a bachelor's degree in mechanical engineering.

We lived across the street from St. Mary Mother of Jesus Church. None of the adults in our household went to church but my sister and I were sent. We remember Sunday morning children's masses, confession lines on Saturday afternoon, Novena on Tuesday night, the Sisters of St. Joseph who taught us in CCD (Confraternity of Christian Doctrine) and the Baltimore Catechism. We did not attend the Catholic School because our parents preferred the public school as a better reflection of multi-cultural society in which we lived and would, one day, work and raise families.

Even among these comparatively mild Roman Catholic influences God spoke to my heart at an early age. My oldest memory of being deeply touched is situated at Holy Thursday morning High Mass. I watched the procession all a glitter in gold, mystified by incense and awash in tutti frutti colored sunlight filtered by stained glass windows. I was only seven or eight years old but nonetheless awestruck as the Eucharist was carried to the altar of repose. I knew something 'other' was present there.

When it came time for high school the notion of religious vocation was percolating in my heart. Perhaps a bit concerned about their daughter's welfare in a big public high school, my parents agreed to my request to attend Fontbonne Hall Academy, a small school run by the Sisters of St. Joseph of Brentwood. The school was located on the banks of The Narrows, the entrance into the harbor of New York City, flanked by the boroughs of Brooklyn and Staten Island. Today that stretch is dominated by the Verrezano Narrows Bridge. After four years of the excellent general education provided by the sisters, I went on to Hunter College of the City University of New York. I am in debt to Hunter for its highly prescribed (before all the curriculum changes wrought by the tumult of the late 60s and early 70s) liberal arts education - double major in History and Elementary Education, minor in English - and graduated in 1967.