Showing posts with label Moira Quinn. Show all posts
Showing posts with label Moira Quinn. Show all posts

Wednesday, June 27, 2012

Contemplative Nuns Celebrate Solemnity


Our Mother of Perpetual Help


For our Order and for the Redemptorist Congregation today is celebrated as a solemnity in honor of Mary, the mother of Jesus our Redeemer, under the  title of Perpetual Help. We have already participated in Mass concelebrated by two Redemptorist priests. Father Thomas Travers requested that our prioress, Sister Moira Quinn, offer a reflection on the significance this title of Mary, our mother, has for us as Redemptoristine Nuns. Here are her words, words which inspired us to trust in these difficult times, not only for ourselves but for many who entrusted their petitions to us during this annual novena.

We Place Our Hands Within Hers
        St.  Alphonsus and Ven. Mother Maria Celeste Crostarosa both had great devotion to our Lady and placed all their cares and concerns within the hands of our Lady though neither mention the icon of our Mother of Perpetual Help.
        Alphonsus wrote the classic book on Mariology, ‘The Glories of Mary;’ and had his Redemptorists defend the doctrine of the Immaculate Conception years before it became dogma.  He always had a painting of the Madonna of Our Lady of Good Counsel on his desk.  Alphonsus even painted depictions of Mary himself such as his La Divina Pastora, the Divine Shepherdess: a woman dressed in humble attire, not as a distant queen of heaven, with the child Jesus on her lap reaching to play with the sheep. The painting represents Alphonsus' Marian theology: "Jesus and Mary are not distant supernatural figures but ever close to the poor, in their midst, and involved in the struggles of their lives." 
       Alphonsus may have known of the icon of Perpetual Help because it hung, at the time, in St Matthew’s in Rome between the basilicas of St Mary Major and St John Lateran.  Twelve years after St Alphonsus’ death it went into hiding and was lost for some sixty years until it was reinstated in the church that had been rebuilt after Napoleon’s army destroyed St Matthew’s and named it in honor of a new saint, Alphonsus, where his brother Redemptorists functioned then and continue to do so today.
       In 1865 Pope Pius IX commissioned the Redemptorists to use the miraculous image of Perpetual Help to ‘Make Her Known’ throughout the world.  They have done so with weekly prayers and novenas held across the earth in her honor.
       I doubt Ven. Mother Maria Celeste ever saw or even heard of Our Mother of Perpetual Help but she also had a deep devotion to the Blessed Virgin.  She writes in her ‘Exercise of love for every day:’ 
       “O my Lady and Mother, well can you say that all generations in heaven and on earth will call you blessed.  You are our only Hope, all nations will call you blessed; the angels and all the heavenly spirits look on you as their Queen, since you are the Mother of the great King; the just have recourse to you as to a Rock of strength and the Teacher of Virtues, safe Guide in this vale of tears, Gate of salvation; under your patronage sinners hurry to you to obtain pardon and protection… and all generations recognize you as Mediatrix and instrument of our Redemption.”   Florilegium 10.
       Both Alphonsus and Celeste turned to Mary in their times of need, as we turn to Mary in ours. We have as our model, Jesus, who ran into his mother’s arms for help and comfort. We see in the icon of Mother of Perpetual Help Jesus looking over his shoulder at the vision of his crucifixion while holding on to his Mother’s strong, steady hands.   Mary’s gaze invites us to take hold of her hands in our times of distress and to be of hope.
        Our community has been standing at the foot of the cross with Mary these last few months as we planned a move, canceled the move, sought temporary accommodations here at Mother Cabrini’s, actually moved and settled in only to have Sr. Lydia break her leg and Sr. Mary Anne come down with shingles.
 
        All the while I picture us, and all those who have mailed us their intentions which are in the bowl under the icon standing in a circle holding on to Mary’s hands and one another.  Her calm, sympathetic, steady gaze assures us of God’s tender care.

        I really am not attracted to the icon style as art.  In Perpetual Help Mary looks stern to me. But once, when I was young in religious life and looking at our large icon I thought I saw her smile.  How reassuring, encouraging to be aware of her presence to me personally.  But what really draw me are her hands:  they are at the center of the icon and large enough for us all to place our hands in hers. 
         So today, aware that we can turn to our Mother of Perpetual Help in any need we thank her for her past favors and continue with confidence and hope to place all our cares in her strong hands to bring whatever lies heavy on our hearts to her Son, our Most Holy Redeemer. 
Amen.                                                                 Sr. Moira Quinn, OSsR

Friday, December 17, 2010

The Advent Season Progresses

Illustration of O Antiphon for December 17
by Sr. Moira Quinn
If one looks at the layout of the Liturgical Year of the Church from the viewpoint of a  film maker or stage director one must admire the keen sense of drama, the slow yet pointed build up to the major feasts of Christmas and Easter. The growing dramatic intensity appears in each of the public forms of official worship, that is the Eucharistic Liturgy and the Liturgy of the Hours, also known as the Divine Office. Unfortunately, most Catholics never experience the Liturgy of the Hours except if they should attend Tenebrae services in their local parish during Holy Week or visit a monastery.  Communities of contemplative nuns are very aware of the unfolding drama because they are immersed in the Liturgy of Hours and all its fine details five or six times a day.

Today we begin a series of these dramatic additions, known as the Great 'O' Antiphons. From now until Christmas we will sing them along with the canticle at Vespers (Evening Prayer) which is Mary's Magnificat, her great prayer of praise at the moment of the Annunciation.

The Redemptoristine Monastery in Dublin, Ireland has posted a You Tube video of tomorrow's O Antiphon. 
The following is a complete explanation of the meaning of the 'O" Antiphons written by our subprioress, Sr. Moria Quinn.

Jewels of Advent - The Great O Antiphons


Advent is the most beautiful of liturgical seasons. It is a time of watching and preparing, of hopeful expectation and joyful anticipation. Advent is the season where we ponder the comings of Christ. The Mass readings of Advent begin with the Second Coming of Christ to earth, the Parousia. The word Parousia means ‘to be present.’ Isn’t that what Advent is about? To be present to the mystery of God: past, present and future. We remember with our ancestors of the past their longing for the coming of the Messiah. We rejoice and celebrate Jesus’ incarnation, his coming in the flesh 2000 years ago. In the present, we recognize Jesus, our Messiah, in our midst in the here and now where he is gracing us in every facet of our lives as we look to our reward at his ‘Second Coming.’

If you follow the daily readings at Mass during Advent you find they are filled with much imagery. Last year, it got to the point that I felt inspired to illustrate the Great O Antiphons.

Some of you may be scratching your head and saying, ‘The Great what?’ You know them, or at least one of them, by heart, ‘O Come, O Come Emmanuel and ransom captive Israel… ’ It is probably the most beloved of all Advent hymns. In the monastery, for the final preparation before the coming of Christmas, we sing the ‘Jewels of Advent,’ the last 7 nights before Christmas Eve. For those who pray the Liturgy of the Hours the Great O’s are sung during Evening Prayer just before the Magnificat beginning December 17 and then continue for the next 6 days with a different ‘O’ sung every night until December 23. They are also sung, or said, at the Gospel Alleluia at Mass during that time.

The exact origin of the ‘O Antiphons’ is not known. Boethius (480–524/5) a Christian philosopher in 6th century Rome made a slight reference to them, thereby suggesting their presence at that time. During the next century at the monastery of Saint-BenoĆ®t-sur-Loire of Fleury in central France, these antiphons were recited by the abbot and other abbey leaders in descending rank, and then a gift was given to each member of the community. By the eighth century, they were in wide use in the liturgical celebrations in Rome. The hymn, ‘O Come, O Come Emmanuel,’ dates back to the 9th century.

The original O Antiphons, of course, were in Latin. But over the years there have been many translations.

• December 17: O Sapientia (O Wisdom)
• December 18: O Adonai (O Lord)
• December 19: O Radix Jesse (O Root of Jesse)
• December 20: O Clavis David (O Key of David)
• December 21: O Oriens (O Morning Star)
• December 22: O Rex Gentium (O King of the Nations)
• December 23: O Emmanuel (O Emmanuel)

Whoever put together all the Latin Antiphons was having a good time because if you take the first letter of each invocation, then read it backwards, it forms an acrostic in Latin: ERO CRAS. This can be understood as the words of Christ, responding to his people's plea, “Tomorrow I will come."

You may say, ‘Wait a minute. Christmas is on the 25th not the 24th. Why end on the 23rd ?’ True enough, but thanks to the tradition handed down to us by our Jewish ancestors in the faith, we begin the liturgical day at sundown. So, the evening of the 23rd is Christmas Eve, and as a result, therefore, the Christmas liturgy begins at Evening Prayer on the 24th . I know it sounds confusing but that is the way it is.

To add to the mix, an alternative English medieval practice arose of moving all of the antiphons forward by one day so they began on December 16th. They added an antiphon involving Mary to the end on the 23rd.

O Virgo Virginum…
O Virgin of virgins, how shall this be?
For neither before you, or after shall be.
Daughters of Jerusalem, why marvel at me?
The thing you behold is divine mystery.

So they took the ‘V’ from O Virgo and added it to the acrostic so it became Vero Cras, "Truly, tomorrow."

This additional antiphon was only eliminated from the Church of England liturgy in the year 2000, thereby restoring the Great O Antiphons to their original form.

The O Antiphons are all scripture based, at least they are alluded to somewhere in the Jewish Testament. Each Antiphon has three parts:

◊ They all begin with an exclamation of a Messianic title: O Wisdom, O Root of Jesse, O Morning Star….

◊ They are followed by an attribute, a description of the power of God: Giver of Law, Sign of God’s Love, Source of Life, Promised Savior….

◊ And then conclude with an invocation to Come and: Come and teach us, Come and open the way, Come and Redeem us, Come and set us free…

Did you know the name Jesus, Jehoshua, means in Hebrew ‘Jehovah saves or sets free’? That is the underlying theme of all the O’ Antiphons: our longing for God to set us free.

In many cultures, to know the name of another gives you power over that person. Think of the power we have in knowing, in our limited way, some of the names for the ineffable God; and the awareness of some of the attributes of our incomprehensible God. Because of this power, we dare to cry out, to demand that God come to our aid to open our hearts and teach us, to hurry up and unite us to God’s self, to redeem us and set us free.

Sr. Moira Quinn, OSsR

Last year I posted each day's antiphon with Sr. Moira's drawings. Just click on the word "Advent" in the index in the side par and you can see all of them.

Thursday, May 20, 2010

The Feminine Aspects of God in Redemptoristine Spirituality

                             by Sr. Moira Quinn, OSsR                                   

CELESTE and GOD as MOTHER:
PLACENTA of JOY
by SR. MOIRA QUINN, OSSR

Presented to Redemptoristine Associates May 16, 2010 in honor of Mother’s Day.

We all had mothers. In our mother’s smile the sun rose and set. Depending on our relationship with our mother, or father, our experience of God may differ. Some mothers were warm and cuddly, while others were tough cookies; some were ultra-controlling while others couldn’t be bothered; most desired to be loving, nurturing and supportive.

In remembering these positive aspects of our human mothers we intuit the tender, loving, sustaining characteristics of our Mothering God. Whatever our notion of God is - God is beyond that. St Anselm said, “God is an idea greater than that which no other idea can be thought.’ The mystery of God may be glimpsed when we take the time to ‘Be still,’ as it says in the psalm, ‘and know that I am God.’ (Ps. 46:10)

Through the contemplative eye our vision of God broadens and deepens, opening new horizons to our relationship with God. Think of how the horizon is ever just beyond our reach, always opening up more and more before us. Just so, as we journey on through life, we will never fully comprehend God while here on earth, so we do the best we can by likening God to the familiar. And what can be more familiar than our mother?

Our Foundress, Ven. Mother Maria Celeste Crostarosa, wasn’t the first person to conceive God as Mother; the Bible is full of feminine references. In Deuteronomy (32:11-12) God supports the people of Israel like a mother eagle who holds up her little ones in flight, teaching them to fly. The Prophet Isaiah (46:3-4) proclaims that God has birthed Israel and will carry and save them even until they are gray with old age. The prophet Hosea (13:8) describes the ferocity of God like a mother bear defending her cubs. On the other hand, the Psalmist envisioned a child resting in its Mother/God’s arms. (Ps 131) In the book of Solomon there are beautiful canticles sung in praise of Wisdom,’ (Wis 7:23-30. 8)

Jesus, himself, gives a mother-like lament and says, ‘How often have I desired to gather your children together as a hen gathers her brood under her wings!’ (Lk 13:34) And in the parable of the lost coin Jesus demonstrates God’s motherly longing as she diligently searches for, and rejoices when she finds, what was most precious to her. (Lk 15:8)

But why should we be interested in the concept of God like a Mother or as a being with feminine qualities? Our Church is based on a patriarchal pyramid with the Pope on top followed by Cardinals, bishops, priests and then the laity. The top of the pyramid are all men made in the image and likeness of God, the Father. Sr. Elizabeth Johnson, csj, who holds a doctorate in theology, once described women’s place in the church by saying, ‘…a pebble, a peach, a poodle, and a person. In Church hierarchy, women fall somewhere in between a poodle and a person.’ I agree that often in the church, and in society, women are second class citizens. Think of how women employees are presently suing Wal-Mart for equal pay for equal work. Those women know their worth. We, also, need to be aware of our worth and preciousness for we too are beings created in the image and likeness of God. (Gen 1:26-27)

Methodist minister Bonni Belle-Prickard suggests that when envisioning God as feminine we are affirming the divine image in ourselves. ‘Indeed, God in the person of Jesus Christ gives us many glimpses of the feminine image of God. Jesus welcomes children; speaks to women shunned by the men; washes feet with a towel and basin; serves breakfast after his resurrection; and even weeps. If there was any doubt before that God affirms all these parts of the divine image in us, certainly the Person of Jesus shows us graphically that the feminine is "very good"!’

In the Bible many feminine names are given to God: Ruah, El Shaddia, Shekinah. In Genesis, ‘In the beginning’ Ruah, a feminine noun used to name God’s spirit, breathes over the darkness and waters and brings forth abundant life. In Hebrew the same root word for Ruah, spirit/breath, is the word ‘rechem’ meaning ‘womb-love.’ It is easy to imagine the darkness and waters of the womb when you think of a child not long conceived floating in its mother’s womb. In Isaiah (49:15) God as mother states, ‘Can a mother forget the baby at her breast and have no compassion on the child of her womb? Though she may forget, I will not forget you!’ Those words speak the constant life-sustaining strength, womb-love of a mother. Aren’t those the hallmark virtues of a mother?

The womb is where all life begins but once born the breast is the seat of nourishment. As we just heard, ‘Can a mother forget the baby at her breast…’ A potent image. In Hebrew the root word for breast is ‘shadu.’ That is the foundation for another name for God, ‘El Shaddai;’ one who nourishes, supplies and satisfies. But in scripture El Shaddai has always been translated into ‘Almighty.’ How did they go from nourishing breast to Almighty? Let’s look at the name of El Shaddai: El points to the power and greatness of God’s self. Shaddai means one who abundantly blesses with all manner of blessings.

The root word shadu predates Hebrew scripture and was attached to ancient civilizations whose gods dwelled on the mountain tops which are often the source of life flowing waters. Given the depiction of ancient figurines with their large breasts, it isn’t hard to imagine the mountain gods overflowing with blessed abundance towards the people in the valley. So it doesn’t take too much imagination to see how the "breast" image was changed to mean "mountain," which eventually evolved into “Almighty”- something great and powerful. Isaiah embraces the breast image and its power to satisfy and bids Israel to ‘Now drink your fill from her comforting breast, enjoy her plentiful milk…like a stream in full flood…I will comfort you as a mother nurses her child.’ (Is 66: 11, 13)

The last manifestation of God in feminine form comes in the name Shekinah. Shekinah is the God-who-dwells-within, the glory of God, the visible spirit of God who went before the people in Exodus as a pillar of cloud by day, to lead the people along the way, and in a pillar of fire by night, to give them light, and is the glory of the Lord that filled the meeting tent. (Ex 13:21-22, Ex 40: 34).

Now we will look at how the foundress of the Redemptoristines, Ven. Maria Celeste Crostarosa, experienced God as Mother. But first a little background on Celeste, herself. Celeste was baptized in 1696 Naples. She was named Giulia by her parents Guiseppi and Battista Crostarosa, an affable, middle class Neapolitan couple. He was a civil and canon lawyer, and she was the proud mother of 12 children. Giulia was tenth in line but seemed to be the darling of the clan. They were a normal, pious family.

What was Celeste’s relationship to her mother? We know very little as she is mentioned only a few times in Celeste’s Autobiography.

Celeste calls her young self ‘sensitive, lively, vivacious and of good intellect.’ Like any typical eighteenth century mother in Naples, Battista taught her daughter her prayers, told her stories from the Bible, about the saints and the sacraments. Girls were not formally educated, but young Giulia, having many older brothers, learned to read. Perhaps it was her sensitivity, her perceptive nature that Celeste mentions of her young self that made it possible for her to experience an unusual sense of intimacy with Jesus at the tender age of five. She writes, ‘From time to time He called her…to love him…simply by an interior word, without her knowing exactly what was happening.’

From then on, Giulia was greatly blessed with many hours, days and months of loving, bright intimacy with her Lord, except for the few occasions of darkness when she slipped into ‘worldly affairs’ such as when she learned from the servants popular songs. When Giulia was eleven she wanted to make her confession and her mother accompanied her. The child came home consoled but changed; quieter, more pious, doing acts of mortification, shunning worldly conversation. Her brothers and sisters began to tease her wondering where their little sister’s gay old self had gone. Her mother, seeing such a change, caused Battista some concern because she thought her daughter was becoming a bit too scrupulous. Nevertheless, Battista supporter her daughter and gave Giulia a quiet hide-a-way in the attic where she might pray to her heart’s content. Because Giulia could not put into words her deepening mystical experiences to her mother, Battista, trying to protect her child, opposed Giulia going to confession (spiritual direction) again. Giulia obeyed and was consoled by her first interior vision of Jesus.

Again, when Giulia was fourteen, her mother wisely forbade her daughter to go to spiritual direction from a young inexperience priest. Though she did not go in person, Giulia wrote to this young man secretly and lapsed into a time of dense spiritual darkness until she followed her mother’s advice and found a new, wiser, older confessor.

When Giulia was around twenty, she was so consumed and melted by ‘pure love’ that she could not eat, stand or speak. This caused her mother great anxiety and so Battista cared tenderly for her ill daughter with remedies. It turned out her illness; her melting by pure love was caused by the Lord commanding Giulia to embrace the religious state. At the same time, coincidently, Battista was planning to make a pious visit to a new monastery. Giulia begged to accompany her mother and her sister, gladly taking any food and remedy and she got herself ready for the trip. When they arrived at the monastery Giulia and her sister declared to their mother, and the holy prioress, that they most ardently wished to stay and embrace the holy life. You can imagine the heated discussion between the mother and her two strong-willed daughters. Finally, Battista consented on the condition of obtaining the father’s permission, which she received.

After that we hear nothing more of Battista Crostarosa from Celeste’s Autobiography. Ah, a parent’s love – love the child, fight for the child, and fight with the child, then let the child go to their own destiny. Such was the relationship of Mama Crostarosa with Giulia.

During Celeste’s religious life the themes of ‘Mother’ and ‘womb’ appear a number of times in her writings and reflections. I gave you some information about God like a Mother in the scriptures. Celeste, on the other hand, probably never heard any of those things. In her Autobiography she writes her insights into the Divine nature of God were, “…received from the Word of the God of Love, …[who] made [her] understand the doctrines of the Holy Scripture contained in the Holy Gospels with most admirable lucidity.”

Being a Neapolitan and a person of great feeling, Celeste had given her whole heart and mind, spirit and body to the Lord and her writings reflect that in their affective style. She writes, ‘Oh blessed companionship of the faithful soul! Ah! He is my Father and my Mother; he alone is my Being and my Life.’ Maria Celeste rejected the popular Jansenistic notions of her time that claimed redemption is for the few and mysticism for the elite. She believed God’s gift of salvation and contemplation were accessible not only to her soul but to all souls. And what could be more accessible than an image of God as reflected by a mother’s love?

One of the first references Celeste makes to Jesus as Mother was when she writes about the time as a Novice when she received a revelation from the Lord concerning a new way of life for the community. She says, ‘Thus conceived in the Womb of Divine Charity, incapable of any good, I was upon the bosom of the Word of God made Man. He it was Who nourished me… and thus fed by this Divine Spirit of Love, I was to write the Rules under His inspiration.’

I have a vivid recollection of a conversation when I was a novice and studying with Sr. Peg about Celeste and her inspiration that she, and we, are called to have a symbiotic relationship with God; that we are so close to God that our faith and trust should be like that of a child in the womb of God. Celeste herself writes, ‘Every person journeying on earth is like a baby not long conceived, still in its mother's womb.’ In our western world where self-reliance is paramount this notion of total dependence on God is quite foreign.

Two over-arching themes in all of Celeste’s writing are what she calls ‘humiliations’ and ‘abnegation.’ In modern terms I would translate humiliations to mean humbleness and abnegation as a self empting of anything that would stand in the way of being a beloved of God. St. Paul says in his Letter to the Philippians that Jesus did just that, ‘Though in the form of God, Jesus did not claim equality with God, but emptied himself, taking the form of a slave, human like one of us…(and) humbled himself, obeying to the death, death on a cross. For this reason God lifted him high and gave him the name above all names.’ (Phil 2:6-9)

Celeste stresses complete dependence on Mother-God when she writes what the Lord said to her, ‘I want you always to keep before your eyes your own weakness and your own misery, and to experience occasionally how much you need me, so that you may learn to distrust yourself and to take refuge in the protection of my divine Providence…. Live then as a babe in my womb.’

We see, then, Celeste’s reason for wanting abnegation and humiliations: it is so that we in our creature-hood may rely on the protection and the divine Providence of our Mother-God. To not always trust in our own self-sufficiency but to live in a symbiotic relationship with God.

Another job of a mother is to instruct her children. Celeste’s earnest prayer to her Mother-God is, ‘…teach me how I should comport myself in your presence, with the candor of a child with its mother.’

Celeste often talks about the ‘fixed gaze.’ I am sure you have seen how an infant has eyes for its mother alone; whatever else is going on doesn’t matter; only the bond between mother and child is what is all important and life-giving.

So God instructs Celeste saying, ‘This is how I want you now: like a babe in your mother's womb! Remain thus in repose in every situation: in labors, in doubts, in fears, in temptations, and in humiliations, attach yourself to the womb of your dear Mother. While you cling to it, no evil can reach you: SORROW DOES NOT ENTER WITHIN THIS PLACENTA OF JOY.’

What amazing imagery this Placenta of Joy! How earthy! How life sustaining our symbiotic relationship to God is meant to be. How opposite to the meaning of the name Shekinah: ‘God’s glory-dwelling-within,’ or St. Paul’s statement, ‘Do you not know that your body is a temple of the Holy Spirit?’ (1 Cor. 6:19) I sometimes think of God as out there somewhere, while all the while Celeste tells us we are to be like a fetus attached to the placenta of God. As you know, the placenta is rich in blood vessels and transfers oxygen and nutrients from the mother to the fetus. Celeste’s writings tell us that God wants us to cling to this placenta of joy throughout our entire lives in everything we do so we may be free of evil or sorrow. This is a great challenge requiring great faith.

Along with abnegation and humiliations, there are two more themes which are dear to Celeste’s heart; both are hallmark of the Redemptoristine and Redemptorist charism even to this day: the Eucharist and the cross. They go arm and arm, as it were: imagine the juxtaposition of a babe resting in its mother’s arms, tenderly held to the breast being nourished, and Jesus ‘resting’ on the embrace of the cross, his open side flowing with it’s life-giving stream. Celeste says both of these ‘embraces are sweet.’

Most of Celeste’s mystical experiences happened during the Eucharist. Sometimes these raptures would last for hours at a time. There she found ‘Paradise of souls on earth’ by union with Christ in the Eucharist. Here, Celeste tells us we will ‘enjoy a lifetime of untroubled peace.’ The Mothering God says to Celeste, and us, ‘Daughter, by the union achieved with the divine Word in the sacrament of the Eucharist your will should be so transformed into that of my Son that you ought not exercise any act except that which is one with the will of your God. By ceasing to be led by your own will in everything and by following whatever I should arrange for you, both adverse and favorable, you will enjoy an anticipated Paradise. You will not be disturbed by sufferings and crosses. And there, the embraces of your Mother will be very sweet.’

And how merciful God is towards those who remain united in love to God’s maternal care amidst life’s crosses! For Celeste, the Eucharist and the cross are entwined; in both she finds rest, sweetness and peace, and invites us to do the same.

The lesson we learn from scripture and Ven. Maria Celeste Crostarosa is that by our self-emptying and humble attitude we cling like with child-like trust to this Placenta of Joy, and nourished and strengthened by the Eucharist we are able to bear whatever crosses we are asked to embrace for God tenderly loves us with womb- love.

We are created in the image of God. Do we see in ourselves any of these qualities? In being Christian women we are invited to affirm in ourselves these feminine qualities of the divine image so that in our lives we might be ‘melted by pure love’ in our own symbiotic relationship with our Mother-like God, with one another, the church and the world, and know that it is ‘very good!’

Saturday, June 23, 2007

Solemnity of St. John the Baptist - Sunday June 24



Feast Day of Sister Moira Quinn
of the Lamb of God


We rejoice with Sister Moira today and thank our loving God for her presence in our community. Junior in age but not experience, she is our immediate past prioress for six years and now serves as vicar or sub-prioress. She is an accomplished artist, liturgical dancer and party planner extraordinaire. She was a professional hairdresser and helps to keep us looking well-clipped and neatly coiffed by the generosity of her talent. And you may have noticed that she is a published author too. Her novel, Here I Am, displays her creative imagination, the depth of her faith and hints at aspects of her own contemplative journey. Moira is an inspiration in so many ways; as a cancer survivor, as a most willing and giving sister in community, as a Redemptoristine daughter of Maria Celeste Crostarosa faithfully pursuing the ideal of being a living memory of Jesus Christ.

Sister Moira is also a gift to her parents, a faithful support and willing ear to her three sisters and three brothers-in-law, and loving aunt to eight nieces and nephews.

While she serves as menu planner, food shopper and sometimes cook and helps to steer us along by membership on the Prioress's Council, she is also serving as Chairperson of the Metropolitan Association of Contemplative Communities. In this effort she is extending forty years of this organization's history of providing a vehicle for mutual support, continuing education and religious formation for contemplatives in NYC tri-state area. And did I say she can sing too?

Sister Moira, many blessings to you and yours today and prayers for all of the special intentions you hold close to your heart as you live each day in the heart of our Redeemer.